December Doldrums

Christmas sunrise from Natty and Nami's playground

Each year I vow I'll get a lot of writing done between Christmas and New Year. It seems the perfect time...the shopping, baking, gift wrapping, card writing are all finished. Lots of time to settle down at the keyboard. But somehow I don't seem to do it.

Now it's nearly New Year's Eve, and just like the past two Decembers, I've failed to get much written at all. I blame the cold weather, but I doubt that's the real reason for this odd end-of-the-year inertia. It's not as if I don't have ideas, or that there's no looming deadlines. It's more like a seasonal affective disorder with a touch of attention deficit peppered in for good measure.

I did get the story written about body image and sent it off. But since then, I've been stalled. I've written a dozen openings for my story about my first trip to London and discarded them all. I've rewritten a few orphan stories and submitted them to new venues. I've not been entirely idle. Oh, no. I've cleaned out some writing files, discarded some old call outs for submissions, and even dusted my desk.

Tomorrow's my last chance for the year...I'm going to finish the England story. If I get that done, I'll be ready to greet the new year with renewed vigor. Cheers!

A Taste of Dickens for Christmas and 2012

I'm planning to start my Dickens Bicentennial celebration on Christmas Eve, even though the official onset isn't until New Year's Day. Charles Dickens, born in Landport, Portsmouth, England, on February 7, 2012, long has been a favorite of mine, and, of course, millions of others.

So next weekend I plan to settle down with some of the movies I've been taping from the Turner Classic Movies wondrous "Dickens in December" series, showing each Monday night. Here's my lineup so far for Christmas weekend:

• The Mystery of Edwin Drood (1935) with Claude Rains.
• Oliver Twist (1948) with Alec Guinness.
• Nicholas Nickleby (1947) with Cedric Hardwicke.
• A Christmas Carol (1938) with Reginald Owen.
• A Tale of Two Cities (1958) with Dirk Bogarde.
• Little Dorrit (1984) with Alec Guinness.

Maybe I'll accompany this film fest with a little Dickensian punch:

• "Punch, my dear Copperfield, like time and tide, waits for no man ... His recent despondency, not to say despair, was gone in a moment. I never saw a man so thoroughly enjoy himself amid the fragrance of lemon-peel and sugar, the odour of burning spirit, and the steam of boiling water, as Mr Micawber did that afternoon. It was wonderful to see his face shining at us out of a thin cloud of these delicate fumes, as he stirred, and mixed, and tasted, and looked as if he were making, instead of a punch, a fortune for his family down to the latest posterity."--David Copperfield, Charles Dickens

In February I'm going to Philadelphia for the Dickens Fellowship and The Friends of Clark Park celebrations, and will be singing "Happy Birthday" to The Inimitable, as he dubbed himself, at his statue...the only one in the world...in Clark Park.
Then in June I'll be celebrating in London with Road Scholar's "The Best of Times." Kevin Flude, a Dickensian expert, will be leading this tour. Highlights include:

• A private viewing and reception at The Charles Dickens Museum, Doughty House.
• A pub crawl to Dickens' favorite haunts: The George Inn and the Prospect of Whitby.
• An outing to marshy Kent to see Bleak House, Dickens' occasional holiday retreat.
• A visit to Little Dorrit's church, St. George the Martyr.
• A coach trip to the historic waterfront city of Portsmouth, to the site of Dickens' birth, where now is located the Charles Dickens Birthplace Museum.

I'm not a recent convert to Dickens. I've been a follower since I was 17, when I first read David Copperfield. Back in the early '80s I attended one of the University of California Santa Cruz's "Dickens Universe" celebrations, where we discussed Martin Chuzzlewit, the American novel. In August 2010 at the University of Cambridge International Summer School I took a course on "Criminals and Gentlemen in Dickens' Oliver Twist and Great Expectations." I followed up by seeing a staging of Oliver at one of Dickens' favorite theatres, the Drury Lane.
As 2012 progresses, I'll read some of the lesser-known Dickens' works, already downloaded to my Kindle:

• The Seven Poor Travellers
• Somebody's Luggage
• Going into Society
• Mugby Junction
• The Haunted House
• Doctor Marigold

But for this next week, I'm rereading one of the Christmas stories, The Cricket on the Hearth.
And finally in January I'll at long last undertake the legal novel, Bleak House, that I've put off for so long. It's waiting for me on my Kindle, as well.

I'll also be ordering Charles Dickens: A Life, by Claire Tomalin, who wrote the wonderful book on Dickens' mistress, Invisible Woman: The Story of Nelly Ternan and Charles Dickens.

I'm anticipating that 2012 for me indeed will prove to be "the best of times." It's not only Dicken's bicentennial...it will be my diamond jubilee!

All's Well that Ends Well?

I haven't decided whether I've been afflicted with writer's block or if I'm just a lazy bones. For five days I've been trying to work up energy to write a story about body acceptance for an anthology that's focused on positive attitudes towards weight. Yes, it's a weighty issue, and one that's plagued me since girlhood. I have some strong beliefs, some mixed feelings and, apparently, some weak-willed hesitance about actually getting the piece written.

Every time I sit down at the laptop something else seems to shout out, "Attend to me, first!" Either Natty, my newly diabetic and nearly blind dog, or Harpo, the world's most narcissistic cat, want to go outside. Or come inside.

Or I decide I'd better look at my notes just one more time for facilitating this next Thursday's book group discussion of Shakespeare's "All's Well that Ends Well." Should I bake oatmeal cookies or take the apple gingercake out of the freezer to thaw for our refreshments? Can I buy marzipan in Colville or should I drive to Spokane? After all, everybody in the Elizabethan court gorged on marzipan. Would the group settle for fudge? Weighty and time-consuming decisions.

I glance around the house. Oh, dear. The tiled entryway certainly could stand mopping. Nobody's scrawled "dust me" on the coffee table yet, but anybody could and probably should. Is it time to change my bedding? What about cleaning out those closets? Or can that wait until spring?

Should I take the afternoon off and watch a few more episodes of the BBC mystery series, "Pie in the Sky"? Oh, wait...don't I owe Jim or Annie or Honey an email? Should I write my annual Christmas letter and get it reproduced at the printers? What about addressing the Christmas cards?

Why don't I just park myself at the laptop and write that story? I think I have a title. "Elephants Never Forget."

And while I'm at it...here's a few more stories still waiting to be born:

• Black Friday madness in Arizona, for NYMB, "The First Time."
• Samuel Johnson's ghost for NYMB, "The First Time."
• Auntie Dorothy and the clergyman, for NYMB, "Sharing Secrets."
• My search for assistance from St. Teresa on Seychelle's La Digue island, for an anthology about sacred or secular pilgrimages.
• A senior high school year, joining my mom with the Jehovah's Witnesses.
• Staying at the YWCA in Chicago, 1957, for Midwest Stories anthology which tentatively is titled, "Sowing Wild Oats."

I'm heading for the laptop...I'm going to get the introductory paragraphs written on that fierce fatty tale this afternoon...and finish it and send it off tomorrow. I'm already a week late, so I owe the publisher!

Maybe it's neither laziness nor a block of any kind...maybe it's ambivalence about the topic. Do I really feel it's all right to be flabulously fat? I'll know when I write the piece. It may not make it into the book, but at least I get to express myself on a topic that's still weighing on my mind. So to speak.

Hmmmm. Shakespeare. I wonder if the good Bard of Avon ever found himself struggling with writer's block...and then I remembered his "lost years," those seven years between the birth of his twins and his emergence in the London theater scene. He may have been employed as a teacher or tutor, and lost himself in reading the Decameron...or he may have been simply stargazing. He might even have been a lazy bones, and made up for it in later years. Nobody knows.

I'm heading for the laptop...just as soon as I let Natty back in.

Not Your Mother's Book...On Sharing Secrets, and The First Time

It's no secret...I've become a "co-creator." For somebody who thinks "author" is a bit grandiose, I'm not certain how I feel about billing myself as such, but like it or not, that's my new title. So far in my literary career, I've been a writer, a journalist, a reporter, an editor, a teacher, a mentor, a coach, and a contributor. Now, however, I find myself elevated to a loftier status...co-creator.

I'm partnering with Dahlynn and Ken McKowen of Publishing Syndicate on two books in the new series, Not Your Mother's Book. My titles are "Sharing Secrets" and "The First Time." I've yet to write my own contributions for the pair...but have stories in mind.

The story submission guidelines for these books, as well as twenty-six other titles in the series, can be found here:

http://publishingsyndicate.com/publishing_syndicate/submissions/nymb_submit_guidelines.html


Here's some tips on putting together your stories for this new collection, courtesy of Lyndsey D'Arcangelo, who will be compiling My Story is Out, another Publishing Syndicate enterprise.
Not Your Mother's Book:

Do's and Don'ts

Everyone has a story to tell, but not everyone knows how to write good story. Use the following Do’s and Don’ts to help you organize your thoughts and create the perfect story for anthology submissions.

Do make sure that your story is original, honest and a true account of real-life events.
Don’t write a fictional story.

Do try and explain what lesson you learned, if any, from your experience by weaving it into the story itself.
Don’t be preachy or judgmental—it’s the quickest way for your lesson to get lost in the mix.

Do mention real people that are relevant to the story.
Don’t mention your friend’s names just for fun or make up fictional characters.

Do address important social issues if they apply to you and your experience.
Don’t write a speech about political incorrectness or rants about inequality.

Do make sure your story is properly organized and that it has a beginning, middle and end.
Don’t ramble on without any structure or direction. The reader will lose interest.

Do write your story in the first person. (“I rode the bus to school.”)
Don’t write your story in the third person. (“She rode the bus to school.”)

Do write about your personal experience, whether it is a wonderful, courageous, difficult, joyful, funny or extraordinary situation.
Don’t focus on dark and depressing stories with agonizing outcomes. Even the most difficult situations can have a positive impact.

Do read through and edit your story before submitting it. It also helps to have someone else look at it and provide feedback as well.
Don’t submit your story without rereading it or checking it for errors.

Do try your hardest to create the best story you can.
Don’t give up if your story is not selected. It may not fit with this particular book, but might be a great fit for an upcoming book instead.

I look forward to reading your stories soon...don't be afraid to share your secrets.

"Getting the Words Right"...Ernest Hemingway

Yesterday I learned that a story I'd had high hopes for, "Fun and Games," didn't make the final rounds for an anthology I'd hoped to be published in. Downcast at first, I reminded myself that there's reasons for rejection. I reviewed the tale. I found it fresh, funny and heartwarming. Then I realized that the book I'd submitted it to might be meant as something you'd buy for a bride, a newlywed, or for somebody celebrating an anniversary. In that context, my story wouldn't have been particularly uplifting...since I was reflecting on my relationship with my deceased spouse.

If I'd not been so enamored with my basic thesis, and had put this story away for a week or two, in revisiting it, I'd have realized it needed reworking for this particular market, or, better yet, that I should consider sending it elsewhere.

I won't give up easily on this story...I'm certain there's a home for it somewhere. But I remembered a valuable lesson I'd learned a long while ago. Never forget the reader over your shoulder. Will this sentence be clear to the reader? Will that reader find the prose harsh or harmonic? Will that reader understand the message you thought you'd sent?

This week I'm editing a novel aimed for the Young Adult market. The manuscript boasts some well-developed characters, a compelling plot, and some superb commentary on the meaning of poetry. But it's also cluttered with some clunky and confusing prose. I find myself making endless revisions, mostly minor deletions and insertions...all for the sake of that mysterious specter lurking in the background...the reader!

When I was an English major back in the early '60s, a professor recommended a book by Robert Graves and Alan Hodge, The Reader over Your Shoulder: A Handbook for Writers of English Prose. Hands down, it's the best book I ever read on how to revise. It emphasizes clarity and consistency, and better yet, shows its readers how to achieve these ends.

I used this book when I taught high school English and journalism back in the early '60s. I recommend it today...and, amazingly, over fifty years later, this remarkable guide to good writing continues to be still available on Amazon.com.

http://www.amazon.com/Reader-over-Your-Shoulder-Handbook/dp/0394506154

One Amazon reviewer who calls himself Irritated, and who likely teaches English composition, says this:

"If your students refuse to learn how important it is to focus on INDIVIDUAL WORDS-- if they insist on thinking that it is sufficient to 'get their point across in a rough way'-- if their sentences are as a result sometimes nonsensical, suggest this book. And then make them read it-- including the appendix at the back.

"Among other valuable aspects, the book uses examples of bad writing from famous authors-- simultaneously reassuring the student that a mistake can happen to the best of us, and reminding the student that vigilance is always necessary."

Here's validation on the reason to revise from George Plimpton's The Paris Review interview with Ernest Hemingway:

INTERVIEWER

Do you do any rewriting as you read up to the place you left off the day before? Or does that come later, when the whole is finished?

HEMINGWAY

I always rewrite each day up to the point where I stopped. When it is all finished, naturally you go over it. You get another chance to correct and rewrite when someone else types it, and you see it clean in type. The last chance is in the proofs. You’re grateful for these different chances.

INTERVIEWER

How much rewriting do you do?

HEMINGWAY

It depends. I rewrote the ending to Farewell to Arms, the last page of it, thirty-nine times before I was satisfied.

INTERVIEWER

Was there some technical problem there? What was it that had stumped you?

HEMINGWAY

Getting the words right.

Veteran's Day Tribute for 11/11/11

Half a dozen years ago when I began to write my memoirs in the form of narrative essays, I'd not realized how my early childhood experiences actually had shaped my eventual life's journey. In writing my story, "Daddy and Raggedy Ann," which appears in this new book about the home front, I became increasingly aware that even fleeting encounters...half an hour at a sick child's bedside, for example...can have everlasting repercussions.

This Veteran's Day I'll be thinking of my father, Albert George Burgess, and how he tap danced his way into my little girl's heart and across the South Pacific during World War II.

This book now is available from Amazon.com.

FIGHTING FEAR: WINNING THE WAR AT HOME

When Your Soldier Leaves for Battle

GREENVILLE, South Carolina – November 11, 2011 – When soldiers go off to war, they leave behind family and friends who are fearful for their safety. Kurt Hartley, Operation Iraqi Freedom veteran and now Baptist minister, says, “I can still remember the anxiety and fear that rushed through our family during my deployment.” Those left behind have their own battles to fight after those gut-wrenching goodbyes, but where do they go for help? Edie Melson’s newest book, Fighting Fear: Winning the War at Home When Your Soldier Leaves for Battle, addresses these concerns. This devotional is not just for military families, but also for anyone who knows a soldier or veteran. “As a combat veteran and now minister,” Hartley says, “I was captivated by the premise of this book.”

Author Edie Melson says, “I remember our son’s first deployment, especially what it was like to say goodbye to my oldest son as he left for Iraq. Throughout the last couple of days, I couldn’t help but wonder, “Was this the last time I’d eat supper with him? The last picture I’d have of him? The last time I’d ever see him smile?”

Melson has collected encouraging stories from people who have sent loved ones off to war, from WWII to the current Afghanistan conflict. They share their stories of how they’ve dealt with the fear. Interspersed are devotions written by Melson that strengthen and enlighten the reader. She begins by sharing what it was like watching her son get ready for his first deployment and compares that to putting on the full armor of God. Cecil Stokes, award winning producer says, “Sometimes I forgot if Melson was talking about the physical war we are fighting or the spiritual one. This book folds between the two effortlessly.” Jeff Strueker, a Black Hawk Down Veteran says, “Melson gives readers a rare glimpse into the raw, intense emotions that military families go through when warriors are away serving our nation.”

Hartley says, “Many days, I prayed that the Spirit would comfort my wife, children, mother, and friends, as I walked ‘through the valley of the shadow of death.’ I was confident in my training, but never found the right truth from God’s Word to comfort those who were praying for me...Until now. Fighting Fear: Winning the War at Home is just the kind of tool that the Spirit can use to comfort those who are batting to stay strong during their own time of adversity.”

Deborah Raney, author of the Hanover Falls novels and A Vow to Cherish, says, “This book...helped me understand the emotions my brother and sister-in-law were experiencing when my Marine nephew left for Iraq. What a great resource this book would have been for all of our extended family.”

As former missionary to Russia and award-winning writer Susan May Warren says, “The essential weapon of faith for the families of soldiers fighting the war at home. Edie Melson writes with the compassion, depth and poignancy to make this devotional a fixture on the bedside stand of anyone whose loved one is deployed. Deeply touching, empowering and healing, it guides readers to the Hand that will hold and strengthen them during this challenging season.”

Fighting Fear: Winning the War at Home will be released by Lighthouse Publishing of the Carolinas on Veterans Day, Friday, November 11, 2011. It will be available through Amazon and Barnes and Noble online, as well as in local books stores.

Edie and her publisher are also excited to announce that a portion of the proceeds from every book sold will be donated to the troops, through Blue Star Mothers of America.

Edie Melson is a prolific writer, publishing over 700 articles in 2010, and the author of the bestselling eBook, Social Marketing for Writers. Her heart to help others define and reach their dreams has connected her with writers all over the country. She’s the co-director of the Blue Ridge Mountains Christian Writers Conference and Southwest Christian Writers Studio, in addition to serving as a popular faculty member at numerous others.

For more information visit: www.WinningTheWarAtHome.com

Autumn Update

Me with son, Steve, Orange, CA, 10/23/11

When I'm stuck on a story, I bless my blog...I can always come here to exercise my fingers until my brain shifts back into its writing gear!

I've been so overwhelmed by medical issues this past week...mine with my disintegrating spinal discs and my canine companion Natty's with diabetes and an abscessed paw...that I haven't taken a deep breath and counted my blessings. So it's time to enumerate them right now!

• My cultural immersion in Southern California replenished my spirits! Highlights included taking in a new staging of "The Trip to Bountiful" and the breathtaking show-stealing airborne pyrotechnics of the Bolshoi Ballet's Ivan Vasiliev in "The Kings of the Dance,"as well as sampling fried chicken at Mrs. Knott's 1934 restaurant and hiking around South Coast Botanical Gardens on the Palos Verdes Peninsula.
• My brother Joel and my friend Chris both are recovering well from cancer treatment!
• My MRI, xray and ultra sounds didn't reveal any horrendous surprises, other than the $1000 that my insurance doesn't cover.
  
• Most of the snags with the upcoming November 12 AAUW Coffeehouse musical extravaganza have been ironed out.
• Tomorrow I'll lunch with friend Nancy and then see the classic British farce, "See How They Run," at Kettle Falls' Woodland Theater.
• I've finished rereading The Great Gatsby for Chewelah book group, meeting at my house Thursday.
• It's not snowing here yet, as it is in Colorado Springs where two of my stepsons and families live...and the other one is visiting with his.
  
• Chicken Soup for the Soul's picked up three of my stories as finalists: "The Unforgotten" for Messages from Heaven, "Twist and Shout" for Say Goodbye to Back Pain, and "Running Like Sixty" for Say Hello to a Better Body.