|“What is to give light must endure burning.”--Viktor Frankl; motto, The Sun|
- I've never been to nearby Asheville, home of the Biltmore Estates, the Thomas Wolfe Museum, or Grove Park Inn, where F. Scott Fitzgerald stayed in the mid-'30s while visiting Zelda, when she was hospitalized nearby. I plan to see them all.
- I welcome a chance to spend a couple of days in Atlanta, GA, before returning home. Yes, I'm aiming for the Margaret Mitchell house and The World of Coca Cola museum, American cultural icons, or the epitome of kitsch, depending on viewpoint.
- Spring seems the perfect time for me to renew my enthusiasm about writing.
- I can use my frequent flyer miles for this trip...a big plus.
I intend to remedy that now, by choosing workshops at "Into the Fire" that will inspire me to get started on that novel...and to finish a short story or two. But I'm reminded of my late husband's response when I asked what he wanted me to bring back from the grocery store. He'd complained that we had nothing sweet in the house for his dessert.
"What do you want?" I asked. "Cookies? Cake? Twinkies? Pie?"
Ken didn't hesitate for one single second. "All!"
That's how I felt when I tried to choose just one session per time slot. I've changed my mind more than once, trying to narrow down my three choices. Here's my final answer...these are the ones I'll attend:
First the Container, Then the Wine, Bruce Holland Rogers
Finished writing is a marriage between what and how: What do we want to relate, and how do we want to relate it? The same experience could be described using a different order of events, tone of voice, or viewpoint. Usually we think of our subject matter first and the strategy second, but starting with a strategy can sometimes lead to surprising and delightful results: like choosing a container and only later thinking about what might fit in it.
Creating Convincing Characters, Lee Martin
Writers of both fiction and nonfiction face the challenge of creating convincing characters and then letting the narrative surprise us by what it reveals about those characters and, by extension, ourselves. Lee will talk about how he created the characters in his essay “Not at This Address,” and will lead participants through a writing activity to help them craft multidimensional characters in their fiction or nonfiction.
You Can't Make This Stuff Up, Krista Bremer
Like fiction writers, nonfiction writers must learn to tell a good story. To do so, they employ some of the same techniques used in fiction, such as building a narrative arc, creating compelling characters, and using tension to move a story forward. This class explores how to apply fictional techniques to nonfiction writing both effectively and with integrity — without blurring the line between fact and fiction.
Here's the program for the weekend retreat: http://thesunmagazine.org/get_involved/events/30#schedule_of_events
Which workshop sessions would you choose?